Perry Michael Allen – “Dance Like We Used To Dance” [Live]

In a world thirsting for authentic musical experiences, Perry Michael Allen emerges as a beacon of soulful artistry, breathing life into our senses with his latest single, “Dance Like We Used To Dance” [Live]. This mesmerizing composition ignites a fire within, transporting listeners to a realm where joy, passion, and unbridled energy converge. From the very first note, the song casts a spell upon the ears. An infectious and upbeat groove takes hold, immediately drawing us into a musical tapestry that weaves together elements of Pop, R&B, and the unmistakable flavor of Memphis Funk. Perry Michael Allen’s mastery of song craft is undeniable as he expertly melds vibrant instrumentation, rich in texture and depth, to create a sonic landscape that pulses with life.

At the heart of this captivating composition is Allen’s soulful, velvety voice – a timeless instrument that captivates and enchants. With every word, his vocals effortlessly glide across the melodic waves, infusing each lyric with passion, sincerity, and an undeniable magnetism. It is a testament to Allen’s artistry that his voice serves as both the centerpiece and catalyst for the song’s infectious energy.

The arrangement itself showcases the meticulous craftsmanship that defines Perry Michael Allen’s work. Dynamic percussion propels the rhythm forward, urging bodies to move and hearts to beat in unison. The strumming guitars evoke a sense of nostalgia, intertwining with rolling basslines that anchor the song’s foundation. And then, there are the punchy horns – blazing and bold, punctuating the music with an exuberance that is simply irresistible.

“Dance Like We Used To Dance” [Live] is a demonstration of the universality of music. It transcends the boundaries of generation, culture, and societal biases, appealing to the young and the young at heart. Its infectious energy will undoubtedly find a home in the summer-night parties that come alive with the irresistible urge to move, groove, and celebrate life. From the first beat, the song’s magnetic pull encourages bodies to sway, hips to sway, and feet to surrender to the rhythm.

Yet, beyond its undeniable appeal as a dancefloor anthem, “Dance Like We Used To Dance” [Live] carries a deeper resonance. It serves asevidence to the enduring power of music – a force that can transport us to a place of pure joy, regardless of the challenges we face. In a world often overshadowed by turmoil, this song offers a temporary reprieve – a chance to embrace the present moment, connect with our innermost desires, and revel in the shared experience of dance and celebration.

Perry Michael Allen’s latest release is highlights his artistic evolution and unwavering commitment to his craft. It is a vivid reminder that the soul of music beats strongly within him, resonating through every note, every lyric, and every breath. As he invites us to “Dance Like We Used To Dance” [Live], he beckons us to immerse ourselves in the magic of music – to surrender to its power and rediscover the joy that lies dormant within our souls. This song is not merely an invitation to dance; it is an invitation to embrace life’s vibrant tapestry and revel in the timeless connection that music weaves between us all.

The Story So Far: Step into the vibrant world of Perry Michael Allen, the soulful singer-songwriter hailing from the heartland of Soul itself, Memphis, U.S.A. With his roots deeply embedded in the contemporary music marketplace, Allen’s journey has been shaped by the profound influence of his father, Perry Allen, an esteemed educator and Memphis’ foremost jazz radio disc-jockey known as “The Night Hawk.” This musical lineage has left an indelible mark on the talented artist.

During his formative years in high school, Perry Michael Allen was bestowed with a remarkable opportunity—to learn the art of record making alongside some of Memphis’ most legendary session musicians. These experiences became the very bedrock upon which his musical prowess was honed. Through his songs, one can distinctly hear the echoes of his Memphis roots, interwoven with the profound influences that have shaped his remarkable journey.

In the early stages of his career, Allen found himself under the guidance of master producer “Papa” Willie Mitchell and the renowned Stax hit writer David Porter, best known for penning the timeless classic, “Soul Man.” It was under their tutelage that Allen’s songwriting and production skills were meticulously sharpened. As a testament to his talent, he emerged as an artist, writer, and arranger for both Stax Records and the legendary Hi Records. Working alongside the incomparable Al Green during the zenith of his chart-topping career, Allen’s collaboration with these musical luminaries proved to be a profoundly humbling and surreal experience.

Since then, Perry Michael Allen has graced numerous successful albums with his distinct musical touch. In addition to his own records for Stax, Hi, and other esteemed record companies, Allen’s creative genius has flourished as he penned three hits for Al Green: the captivating “Hanging On,” the infectious “So Good To Be Here,” and the heartfelt “Soon As I Get Home.” His talents as a recording and arranging artist have also enriched the works of renowned musicians such as Boz Skaggs, The Sweet Inspirations, Albert King, Wilson Pickett, Anita Ward, The Memphis Horns, Bobby Rush, The Soul Children, Syl Johnson, and European groups including Wet Wet Wet, Axelle Red, and Zucchero.

Allen’s virtuosity as a composer and arranger has garnered him numerous accolades, including RIAA Certified Gold and Platinum Albums, as well as the prestigious Memphis Blues Foundation “Blue Note Award.” The resounding impact of his songs and tracks extends far beyond the realms of music, as they find their rightful place in the soundtracks of various movies and TV shows. Notable mentions include the thrilling TV series “C.S.I.,” the gripping medical drama “Dr. House MD,” the riveting legal drama “JAG,” and the iconic series “Ally McBeal.” On the silver screen, Allen’s music has left an indelible mark on films such as “Pulp Fiction,” “Munich,” “Mickey Blue Eyes,” and “American Pimp,” among many others.

Recognizing his unparalleled expertise, the esteemed Berklee College of Music has bestowed upon Perry Michael Allen the title of Master Music Production Specialist. Now, as his illustrious career continues to flourish, Allen extends his wisdom and knowledge to emerging artists, musicians, and European music institutes and studios through “The Clinic”: a unique offering of “Session Man” courses and Music Production Counseling.